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Information
The Wet Commune
Green Sun
Pattern Test (No. 1)
Chlorophyll Grid
Fluid Dynamics Study
Britannia
Stay With Your Tribe
Sun and 80 Consonents
Matadero
CUERPO Collective Body
Supernormal Vision Machine
Night Stories
Terra
Field Condition
Untitled



   Sy Di 2026

I am a Chinese Canadian artist currently based in Toronto and Vancouver. My work explores the materiality of post-natural landscapes, particularly post-extractive sites, toxic substances, and forms of biopolitics mediated through fluid matter. I am interested in mist as an atmospheric medium that moves across human and non-human thresholds, producing shared conditions of affect, intimacy, danger, and uncertainty. I also work with bodily fluids such as saliva, where abjective expeirence and biological trace become entangled with systems of governance and control. Across these research interests, I seek to unpack moments of tension where substances produce relational, ambient, and speculative environments.

In my installation work, I often use repurposed objects, biological media, plants, electronics, environmental data, and live coding tools to assemble multimedia environments. My thinking is informed by scientific and cosmo-spiritual traditions that bridge natural systems, technology, and Eastern philosophy, as well as environmental history and cybernetics.

sy.di [at] mail.utoronto.ca

08.Sun and 80 Consonents



2023




mycelium substrate, 3D printed mold, arduino sensor; coding; MDF boards; sound transducer; sand; wooden panels, emergency blanket; 


Sun and 80 Consonents
is a multimedia installation comprises a living mycelium panel, an Arduino device that monitors electronic currents generated from mycelium activities, temperature, and humidity of the compost, and converts the data into sound frequency. A speaker underneath the mandala plate plays the sound and generates a vibration that distorts the sand mandala. As part of the exhibition opening event, we harvested the mushrooms from the mycelium panel, introducing the growth/harvest cycle and the afterlife of the mycelium compost.

Traditionally, a sand mandala is created for ceremonial purposes in various Buddhist cultures. The mandala is destroyed by the monks shortly after its creation to symbolize the transient nature of existence. In this case, the growth of mycelium and its biological energy current is harvested to generate sound vibrations that eventually dismantle the mandala.

The work was developed during the residency at the Institute of Postnatural Studies and exhibited at the Access Gallery, Vancouver, BC.

1/7    Installation view 
2/7    Installation view
3/7   Installation view
4/7    Mushroom forging event at the exhibition opening   
5/7    Mushroom forging event at the exhibition opening
6/7    Mycelium substrate in 3D printed mold
7/7    Mycelium spore gathered on the mold throughout the exhibition