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Information
Saliva Commune
Green Sun
Pattern Test (No. 1)
Chlorophyll Grid
Fluid Dynamics Study
Britannia
Stay With Your Tribe
Spent Landscape
Sun and 80 Consonents
Matadero
CUERPO Collective Body
Supernormal Vision Machine
Terra
Night Stories
Field Condition
Untitled



   Sy Di 2026

I am a Chinese Canadian artist currently based in Toronto and Vancouver. My work explores post-extractive sites, toxic substances, and forms of biopolitics mediated through fluid matter. My current research focuses on DIY mist installations and biological media, including bodily fluids such as saliva. Through these materials, I explore tensions between affective experience, social control, and utopian thinking. In my resarch, fluid matter offers a way to imagine how relationships among bodies, technologies, and possible futures might be reorganized. 

In my installation work, I often use repurposed objects, biological media, plants, electronics, environmental data, and live coding tools to assemble multimedia environments. My thinking is informed by lineages of socialist thought and by scientific and cosmo-spiritual traditions that move between myth and science, including Russian Cosmism, Eastern costomology and ritual practices.

sy.di [at] mail.utoronto.ca

06.Britannia



2025 - ongoing






Britannia is an ongoing research project centred on the former Britannia copper mine, located on the traditional territory of the Squamish Nation in British Columbia. Operating from 1904 to 1974, the mine transformed the surrounding mountain and watershed through an extensive infrastructure of tunnels, mineral processing, and water movement. Britannia now occupies an unsettled terrain between industrial ruins, historical preservation, and the ongoing work of environmental remediation.

Water continues to carry the mine long after extraction has ceased. Moving through exposed sulphide minerals, subterranean passages, creeks, and treatment infrastructure, it circulates the chemical afterlife of copper through the landscape. 

Acid mine drainage forms when sulphide-bearing minerals exposed by mining react with air and water, producing acidic runoff that carries dissolved metals through the landscape. At Britannia, it persists as an active hydrological condition, moving through fractured rock, subterranean tunnels, creeks, and treatment infrastructure before entering Átl’ḵa7tsem / Howe Sound. Along this passage, water crosses mineral, biological, and technological thresholds: from mineral surfaces and fungal and microbial communities to the tissues of Pacific herring, salmon, rockfish, sea stars, harbour seals, and other marine life. 

The water also passes through the threshold of the machine. Within the Epicor water treatment plant, acidity is neutralized with lime, while dissolved metals precipitate, gather through the addition of polymer, and settle into sludge.

In my material experiments, water collected from a creek near the mine is atomized through DIY mist apparatuses. The water enters the gallery as vapor, producing an ephemeral atmosphere before settling again as mineral and metallic deposits on floral foam surfaces. What was dissolved in the stream returns as residue, translating an otherwise dispersed chemical process into a visible trace.

Project site: https://britannia.cargo.site/

1/7    The former copper ore concentrator is the main part of the Britannia Mine Museum
2/7    An archival photograph of the Copper Queen procession at Britannia Beach, part of an annual community tradition held from 1925 to 1975. During these celebrations, a Copper Queen was selected and crowned as part of local May Day festivities.
3/7    Orange-yellow mineral deposits appear across the rocks and sediment, suggesting the presence of iron-rich precipitates associated with acid rock drainage.
4/7    Collected from different creek locations, the soil samples register the landscape through fragments of rock, mud, mineral residue
5/7    Collected from upper and lower creek areas, the bottled samples trace how water moves through the landscape, carrying visible and invisible residues of mineral transformation
6/7    Water collected from a creek adjacent to the former mine site was circulated through a DIY mist apparatus constructed from ultrasonic transducer units and floral foam used to retain the water. The mist gradually accumulates throughout the gallery, producing a subtle atmospheric effect
7/7   As the water was atomized into fine vapor, heavy metal residues accumulated on the floral foam, leaving visible deposits on its surface